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This May Be It

by The Trans Fatty Asses

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1.
Two Things 03:50
Strangely enough these two things go together Like heat and fear, and me and you When we get hot, we’re afraid of each other And that’s just like these two things, too Better that we should stay friends Than go the old way of marriage and hate (mistakes) That doesn’t mean we can’t have each other once in a while Why should we wait, when we could take our world by storm? It’s bad enough we’ve got this storm to weather Our cold hearts against passion and need That doesn’t mean we can’t have each other once in a while Why should we wait? I’m trying to crucify my bad qualities by esteem, putting good after bad Making the bad things good – that’s the only life that I’ve had One of my worst faults is working against myself I hang on to the last breath, and then die before I hit the ground And I’m cosmically insensible, and frightfully inactive And I don’t know what I’m doing ‘till I’ve thought about the consequences Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP
2.
Lover Lever 03:20
You could have her, or you could heave her. You could love her, or you could leave her. You may really want to keep her, so you choose to be a lover leaper. Or you might instead just want to drop her, if you feel more like a lover shopper. Trade him in for a new guy who makes you feel just a little high. Pursuit is so intoxicating; consummation is so elating. Take enough time to know him better. Is he a drab drag or a go-getter? When you make that choice, whether you are girls or boys, there will be a consequence. It can sometimes seem like such nonsense. Decision is a balancing act, but it’s all a matter of fact. What you choose to do might impinge on your happiness, and your life will hinge. Oh, you could love her, or you could leave her. Written by Todd Franklin Osborn ©2020, 2021 Heaventree Records administered by ASCAP
3.
The man in the hat – Tom Talk about cheesy – he’s the one He’s the Lampshade Pterodactyl I’m the party silhouette In the corner at the party Take me to the party He’s the life of the party Up on the coffee table – polka dot necktie Breaking the ice - reading James Joyce “An ambition to squint at my verses in print makes me hope that for these you’ll find the room… the Heaventree of stars hung with humid nightblue fruit… I do. You bore me away framed in oak and tinsel, set me above your marriage couch… you kissed me in four places.” Who’s driving? Arrange a ride, arrange a ride, arrange a ride! Get me home in four pieces The party’s over – where does that leave me? I’m the party silhouette Written by Todd Franklin Osborn, featuring quotations from Ulysses by James Joyce. ©2021 Heaventree Records administered by ASCAP
4.
Donna Juana 03:54
Don’t be a bride, Donna Juana! Be what you wanna be, Donna Be rude, be a ride – Bride? Wanna? Steal my heart – steal time, Donna You are what you are – you are what you will be You’re cool even when the fun is over We share a correct history, Donna Watch the pale moon rise and fall The day, the night, the day, the night is over They say you lived in Tennessee, Donna Juana We called you up in Kentucky, Donna What’s new with you? What are you gonna do and with who? Oh, Donna Juana Do you piece together dreams like me, Donna? If I could die before I dream I die, I wanna watch the pale moon – flail my arms Today, tonight, today, tonight is over Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP
5.
Mean (Still) 02:26
In 1961 I wasn’t even born. No one talked about me. I had no form. What I am now was yet to be, but I might have been something else. There are more things in the world than you know. It may surprise you to get lost in the flow, but take heart. I’ve tried to stay out of the details in life, to skirt the drama, all the struggle and strife, but to no avail, it just finds me every time. “Take the path of least resistance,” I say. You’ll still be standing at the end of the day. Life seems so pointless sometimes. There are more things in this life than we see. Still, it’s so surprising when I always lose me. Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP
6.
It always matters who you are and how you keep yourself. No matter what you keep inside, and never show anyone else. Your right to be depends on doing right by freedom – that’s responsibility. We’re each an island of mind cut off from other ones. We only sense the distance, measured across vast oceans, of those who may not look like us and those we may or may not choose to trust. And when I look out from my eyes, am I susceptible to the lies they offer me? Do I trust just what I see and hear and feel? Oh, what is real? Can I tell that this is no controlling spell meaning to deceive? I’m actually relieved to find you reeling from the same deal, the same seeming reality It’s hard to navigate this plane, this world of loss and gain. The more intelligent we are, the more acute the pain. This burden makes some people rude, who lack the moral fortitude. Apathy is both the lock and key that keeps each prisoner bound. What sets us free is empathy - it roots us to the ground. Engage, connect, stay to the course, and help the ones who show remorse. Written by Todd Franklin Osborn ©2020, 2021 Heaventree Records administered by ASCAP
7.
In this bloody time and place, in search of my soul, of sacrifice I’m looking for solid cement in which to stand. The places that I want to be don’t ever hold any good for me, and anyway, instead of holding that, I’d rather hold your hand. And if I ever get out of here, I won’t have to wait another year. I’d rather cut off one ear to save the whole man. Time doesn’t stop for anyone – you can lose yourself in Ironton or just stay inside your safety in Ashland. Counting the hours and the minutes – looking for a world with you in it, sometimes, it feels like I’m waiting for Peter Pan. And if I ever get out of here, I won’t have to waste another year I’d rather cut off one ear to save the whole man. And being me is sometimes embarrassing unless I’m wrapped up in playing and singing. Oh, please, just tell me why, oh, only if you can. And God doesn’t grant permits to jump in a bath and slit your wrists. One just takes it upon oneself to carry out that plan. And if I ever get out of here, I won’t have to waste another year I’d rather cut off one ear to save the whole man. Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP
8.
Sometimes I feel like a fossilized Trilobite, but right now, more like I have a radioactive half-life, and I'm not even sure what I mean by that. I thought this was still the Age of Reason, but knowledge, unfortunately, is now seen as treason. A lot of people are trading in a brain for a dunce hat. Progress is an interesting idea on which to think. The lack of it will certainly take us to the brink of extinction, as sure as eggs is eggs. But the real dinosaurs are the people left behind by self-will, brain-washed legacies, and the direction of time, as it seems to move past them like they haven’t even sprouted legs. Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP
9.
Now to get to the bottom of this problem I would suspect that we got to examine this damning famine of human intellect. It seems reasonable to assume that knowledge comes from seeing patterns emerging in our conscious mind, and what we find when we bother to notice them is that we know things then, and that fate is neither cruel nor kind. We figure out things that we didn’t know before. We watch and listen and talk about them. We pass down the lore. Causation causes a sensational spate of our senses, so we write 'em down in books, and we spare no expenses. We try to move forward, teach it, teach it in classes, and we try to weed out all the unwise wise asses who’d rather stay blind, rather fall behind, and live in the past, dragging everybody else back past the line. Living things may all start out slow, but then they grow, like the rivers flow. That’s the underpinnings of the principle of progress, and I can not stress enough that if we rest too much, we stagnate, our minds denigrate, and we become a population of degenerated ingrates. This is what happens when the ruling class rules. They end up looking like, acting like, and playing the fools. They don’t want to move forward, or toward anything, but rather they want to keep things the same, and keep anyone not white meek and tame. Progress, to them, is a dangerous idea. When they lose control, they lose their shit and hemorrhage money, yelling Mea Culpa! Well it’s their own damn fault that they drain their vault, grinding the pepper and licking the salt. I abhor the decimation of the population of blacks, and the Indians being forcibly kept on reservations (that’s just cracked). And our whole country has been slowly going up for sale, And it ain’t gonna stop ‘til we’re well rid of the rich, white male. Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP
10.
I’d give up my right – I’d give up my ride home Walk this lonely road – this lonely road alone My father gave me up at the altar, but he gave up on me at birth – now it’s your turn I forgot to give my needles, my feelings and problems to you You thought I’d left you out – let me out of my life It’s like you sleepwalk – you beat me in your stupor In the morning you don’t remember – who did this to you? The only frame of my ground – limit of your gain Take me from my rightful place I went home and found my needles, my feelings and problems and my skin – now you won’t let me in Written by Todd Franklin Osborn ©2021 Heaventree Records administered by ASCAP

about

This was the first full length album proposed for release by The Trans Fatty Asses, and it was nearly released, with a slightly different track order, in 2019. I chose to shelve it in favor of releasing Traversing The Individual/Social Divide in 2020, because that was a much more topical set of songs at the time, with certain lyrics having an almost prescient nature in regard to the events of that pandemic year.

After that, I collaborated on The Friends-less And The Prog with Bob Crain, and once again This May Be It got sidelined because the former album seemed to me much more important to release. I was also conflicted on exactly which tracks I wanted to use for This May Be It, and further, I was unhappy with the mixes, overall.

This May Be It is an album of very old songs and (then, in 2019) very new songs. Two Things, Party Silhouette, Donna Juana, Homer's Files, and The Desperation Trip were all songs I wrote in the early 1990s for a band I was in called Adulterous Woman. None of those songs ever got recorded properly (let alone, released), and in the convening years (decades) I looked for appropriate projects in which I could finally fulfill that task.

Of the newer material, I was in a socio-political phase of lyric writing, (which continued on Traversing...), and especially The Pros And The Cons directly addresses my most fundamental philosophies about such ideology. I originally wanted to find rappers to perform different sections of Part 2, hoping that they would also freestyle some of their own contributions to the piece. When it was clear that such a plan was problematic because of COVID-19 (and my lack of appropriate contacts), I finished the piece myself, albeit with my vision of it slightly diminished. To be clear, I am not a rapper, and although I consider the track to be inspired by Rap and Hip Hop, it is ultimately something more akin to an alternative rock track with Hip Hop overtones. The main point musically was for it to show the evolution from Folk to Talking Blues to Reggae to Hip Hop, and to make a connection between that and political progressiveness (an ineluctably correct relationship).

The larger theme of the album is the binary nature of human understanding: love/hate, progressive/conservative, joy/pain, et al
Enjoy!

TF Osborn (March 24, 2021)

credits

released March 25, 2021

all instruments and voices by Todd Franklin Osborn
recorded 2017-2020, mixed 2021
guitar arrangement ideas (circa 1991)
on Donna Juana by Natalie Susan Wood

HT15
©2021 Heaventree Records administered by ASCAP

thanks to Mo Konteh; to my former Adulterous Woman bandmates Heather Jensen and Natalie Wood for their influence on tracks 1,3,4,7,10; and to Bob Crain, Nick Johnson, Leah Moak, Jefferson Ogata, and Mike Trippi for their support.

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The Trans Fatty Asses Silver Spring, Maryland

The Trans Fatty Asses made a false start in 2010 when Todd Osborn (drums, guitar, voice, songs) attempted to put a live band together comprised of Bob Crain (drums, guitar, voice), Nick Johnson (Keys, electronics), and Aki Zenji (bass). Zenji had to leave the band, was replaced, but it all splintered after that due to bad timing. Osborn picked it up again as a personal recording project in 2016. ... more

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